Brazilian Carnival

The carnival has taken its roots from the ancient Greek spring festival of honoring Dionysus, the god of wine. The Romans adopted the festival, which later, the Roman Catholic Church changed to suit its own religious needs. The Brazilian Carnival is an annual festival, celebrated four days, preceding the Ash Wednesday. It has a religious flavor, as it marks the beginning of the fasting days of 'Lent'. Carnival literally means to remove meat, one of the important observance to be followed during Lent, while practicing repentance, to honor the death and resurrection of Christ. The Carnival is celebrated on different scales all over Brazil. A lot of time and effort is involved in its preparation. Each place has its own distinct style. Among the many interesting aspects of the Carnival, King Momos deserves a mention. He is considered as the 'King of Carnivals' and signifies the beginning of the festivity.

Rio de Janeiro Carnival
Rio de Janeiro, the cultural capital of Brazil, has parades since the 1930s. Presently, it holds the parade in a large permanent structure called 'Sambadrome'. The Carnival parade is full of participants from various samba schools. The parade serves as means to compete with other schools, resulting in a visual treat. The group or blocos as they are known, parade through the city telling short stories through their music, dances and costumes. The winners are announced at the closing of the carnival.
The Carnival is held at 'Pátio de São' Pedro Square in Recife, Brazil. It's unique in many aspects. They do not have any competitions, instead perform side by side. The Galo da Madrugada is the biggest carnival parade in the world. Their dance style is acrobatically influenced with frequent arm and leg movements. The main rhythms used are the frevo and maracatu.The Carnival is influenced by Rio de Janeiro and Bahia style. It fuses the themes and adds to it, its own unique music of drums and bands. The important carnival parades in Minas Gerais are mainly held in the historic cities of Ouro Preto, Mariana and Diamantina. The costumes and mask are of extreme importance, as they depict their own story. Their creation requires a high level of understanding of the roles they are meant to play. Like music, even the costumes are influenced by the African heritage. Fabrics of different textures, mostly adorned with feathers and sequins, are used. While designing such elaborate costumes, the freedom of movement to the dancers is an essential aspect. Carnival make-up, creates an enchanting persona. No carnival is complete without the Brazilian national dish, Feijoda, a pork and bean stew. Streets are full of food, cooked either in houses or restaurants. The cuisines differ from place to place with each adding its unique flavor to its carnivals. Dancers often eat light meals, but enjoy the full course after the parade is over. Drinks are equally important, to beat the heat. Brazilian soda 'Guaraná' and beer are the preferred choices.

Modern Brazilian Carnival originated in Rio de Janeiro in 1641 when the city's bourgeoisie imported the practice of holding balls and masquerade parties from Paris. It originally mimicked the European form of the festival, later absorbing and creolizing elements derived from Native American and African cultures.

In the late 19th century, the cordões (literally laces or strings in Portuguese) were introduced in Rio de Janeiro. These were pageant groups that paraded through city avenues performing on instruments and dancing. Today they are known as Blocos (blocks), consisting of a group of people who dress in costumes or special t-shirts with themes and/or logos. Blocos are generally associated with particular neighborhoods; they include both a percussion or music group and an entourage of revellers.

Block parades have become an expressive feature of Rio's Carnival. Today, they number more than 100 and the groups increase each year. Blocos can be formed by small or large groups of revelers with a distinct title with an often funny pun.  They may also note their neighborhood or social status. Before the show, they gather in a square, then parade in sections of the city, often near the beach. Some blocos never leave one street and have a particular place, such as a bar, to attract viewers. Bloc parades start in January, and may last until the Sunday after Carnival.

Mestre Sala e Porta-Bandeira, a double executing typical performance and opening a samba school exhibition.

Blocos parade in nearly every neighborhood, but the most famous ones parade in Copacabana, Ipanema, Leblon, Lagoa, Jardim Botânico, and in downtown Rio. Organizers often compose their own music themes that are added to the performance and singing of classic "marchinhas" and samba popular songs. "Cordão do bola preta" ("Polka Dot Bloco"), that goes through the heart of Rio's historical center, and "Suvaco do Cristo" (Christ's statue armpit, referring to the angle of the statue seen from the neighborhood), near the Botanical Garden, are some of the most famous groups. Monobloco has become so famous that it plays all year round at parties and small concerts.

Samba schools are very large groups of performers, financed by respected organizations (as well as illegal gambling groups), who work year round in preparation for Carnival. Samba Schools perform in the Sambadrome, which runs four entire nights. They are part of an official competition, divided into seven divisions, in which a single school is declared the winner, according to costume, flow, theme, and band music quality and performance. Some samba schools also hold street parties in their neighborhoods, through which they parade along with their followers.

Carnaval time in Rio is a very interesting, but is also the most expensive time to visit Rio. Hotel rooms and other lodgings can be up to 4 times more expensive than the regular rates. There are big crowds at some locations and life is far from ordinary in many parts of town.

São Paulo style

Carnival parade in São Paulo, Mancha Verde Samba School

The carnival in São Paulo happens in the Sambodromo de Anhembi and also has some organized "soccer schools." This is the main difference between São Paulo carnival and Rio. The Carnival parades in São Paulo happen on Friday and Saturday night, as opposed to Rio's Carnival, which is held on Sunday and Monday night.

Bahia style

There are several major differences between Carnival in the state of Bahia in Northeastern Brazil and Carnival in Rio de Janeiro. The musical styles are different at each carnival; in Bahia there are many rhythms, including samba, samba-reggae, axé etc., while in Rio there is the multitude of samba styles: the "samba-enredo", the "samba de bloco", the "samba de embalo", the "funk-samba", as well as the famous "marchinhas" played by the "bandas" in the streets.

Carnival circuit of the city of Salvador.

In the 1880s, the black population commemorated the days of Carnival in its own way, highly marked by Yoruba characteristics, dancing in the streets playing instruments. This form was thought of as "primitive" by the upper-class white elite, and the groups were banned from participating in the official Bahia Carnival, dominated by the local conservative elite. The groups defied the ban and continued to do their dances.

By the 1970s, four main types of carnival groups developed in Bahia: Afoxês, Trios Elétricos, "Amerindian" groups, and Blocos Afros. Afoxês use the rhythms of the African inspired religion, Candomblé. They also worship the gods of Candomblé, called orixás. An Electric Trio is characterized by a truck equipped with giant speakers and a platform where musicians play songs of local genres such as axé. People follow the trucks singing and dancing. The "Amerindian" groups were inspired by Western movies from the United States. The groups dress up as native Americans and take on native American names. Blocos Afros, or Afro groups, were influenced by the Black Pride Movement in the United States, independence movements in Africa, and reggae music that denounced racism and oppression. The groups inspired a renewed pride in African heritage.

 

Pernambuco style

Street Carnival in Recife

The North East state of Pernambuco has unique Carnivals in its present capital Recife and in its colonial capital Olinda. Their main rhythm's are the frevo and the maracatu. Galo da Madrugada is the biggest carnival parade in the world, considering the number of participants, according The Guinnes Book of World Records. It means "dawn's rooster" and parades, as the name suggests, in the morning only. Frevo is Pernambucan-style dance with African and acrobatic influences, as it is fast and electrifying, often using an open umbrella and frequent legs and arms movements.

Unlike Salvador and Rio, the festivities in Recife, Olinda and Itamaraca do not include group competitions. Instead, groups dance and play instruments side by side. Troças and maracatus, mostly of African influence, begin one week before Carnival and end a week later. Some well-known groups have funny names, such as: Tell me you love me, damn eggymann (with a famous giant dancing doll that leads the group), Crazy Lover, Olinda's Underpants, and The Door. Held 40 days before lint

Minas Gerais style

Carnival parade of Ouro Preto, Minas Gerais.

Minas also holds some important carnival parades, mainly in the historic cities of Ouro Preto, Mariana and Diamantina. They are held mostly by students' houses, which attract a majority of young people from the neighbor states. There are also other major parades in the region, such as the one in Pompéu.

Carnival in Minas Gerais is often characterized by blocos carnavalescos with varying themes and fantasy styles, almost always accompanied by a brass and drums band. However, Minas Gerais carnival was first influenced by the Rio de Janeiro Carnival (several cities have their own samba schools). Later some Axé groups from Bahia came to play in the state every carnival season.

The Carnival of the city of Ouro Preto is very popular by college students in the area. The city has a large proportion of students, who during the year live in places called Repúblicas (a rented house maintained and ruled by themselves). During carnival, the Repúblicas are literally packed with residents and many visitors coming from all over the country. The hills prevent traffic of heavy sound trucks, but don't stop people from feasting all night and day.

However, some view the Ouro Preto carnival festivities as a threat to the old and historical harmony of the region. According to one such person: the recent emergencet of industry from the surrounding localities, population growth and a spike in street traffic have jeopardize Carnival as older citizens remember it. One cause for alarm is the street carnival of Ouro Preto, which attracts thrill-seeking students from across Brazil. The students crowd the streets while playing loud and arguably disruptive music.

http://en.wikipedia.org/wiki/Brazilian_Carnival